Album Containing Architectural, Ornament, and Figure Drawings by Giovanni Battista Mola

Album Containing Architectural, Ornament, and Figure Drawings 1630 - 1631

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drawing, paper, ink, architecture

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portrait

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drawing

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charcoal drawing

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figuration

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paper

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11_renaissance

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ink

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history-painting

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architecture

Dimensions overall: 7 15/16 x 7 11/16 in. (20.1 x 19.5 cm) folio 2 -- 7-15/16 x 5-3/8 in. (20.1 x 13.7 cm) folio 7 -- 8 x 4-15/16 in. (20.3 x 12.5 cm) folio 9 -- 7-9/16 x 5-1/8 in. (19.2 x 13.0 cm) folio 14 -- 7-3/4 x 5-11/16 in. (19.7 x 14.4 cm) folio 16 -- 7 x 4-13/16 in. (17.8 x 12.3 cm) folio 22v -- 7-5/8 x 5-7/16 in. (19.3 x 13.8 cm) folio 27 -- 7-3/16 x 5-1/2 in. (18.2 x 14.0 cm) folio 31 -- 7-1/2 x 5-1/4 in. (19.0 x 13.4 cm) folio 32 -- 7-5/16 x 4-15/16 in. (18.5 x 12.5 cm) folio 36 -- 7-5/16 x 4-13/16 in. (18.5 x 12.3 cm) folio 42 -- 10-11/16 x 7-5/16 in. (27.1 x 18.5 cm) folio 45 -- 11-1/8 x 8-1/16 in. (28.3 x 20.4 cm) folio 46 -- 7-3/4 x 4-11/16 in. (19.7 x 11.9 cm) folio 47 -- 8-7/16 x 5-1/2 in. (21.4 x 14.0 cm) folio 49 -- 6-3/4 x 7-1/2 in. (17.1 x 19.0 cm) folio 50 --7-15/16 x 7-11/16 in. (20.1 x 19.5 cm)

This album containing architectural, ornament, and figure drawings was created by Giovanni Battista Mola. Here, in brown ink, Mola intricately sketches a fusion of architectural and figurative elements. A monumental yet incomplete structure dominates the composition. Strong, decisive lines define the architectural framework and hint at classical influences. The organic forms of the figures, sketched with fluidity, contrast with the rigid geometry of the building. The work is an intersection of form and function, where Mola explores the relationship between human presence and constructed space. The architectural components suggest order and permanence, while the figures introduce movement. This dynamic interplay challenges our perception of space, blurring the lines between the static and the active. The incomplete nature of the drawing invites us to question the conventional relationship between the sketch and the finished artwork. Is it a preliminary study, or does its incompleteness serve to highlight the generative process of art itself? By engaging with these formal qualities, Mola moves beyond mere representation, prompting a meditation on structure and human form.

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