My Back Yard by Julian Alden Weir

My Back Yard 1890

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drawing, print, etching, paper

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drawing

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print

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impressionism

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etching

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landscape

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paper

Dimensions 198 × 153 mm (image/plate); 322 × 192 mm (sheet)

Curator: Welcome. Here we have "My Back Yard" by Julian Alden Weir, an etching printed on paper, created around 1890. Editor: At first glance, there’s a quiet intimacy here. It's like peering into a secret garden, rendered in delicate lines, soft and subdued. The density of the foliage in relation to the clear architectural structure...intriguing. Curator: Weir’s focus during this period was to capture fleeting moments in nature. He saw the backyard as a refuge, reflecting a burgeoning sense of personal identity amid urbanization. This print feels very personal. Editor: It does. The composition itself, with its layering of textures – the soft foliage against the sharp lines of the buildings – is compelling. Note how Weir uses the etching technique, short lines and crosshatching, to build volume and space. It anticipates many impressionist strategies for building form without solid mass. Curator: His style aligned with that of the Impressionists, yes. You see his emotional connection to the land and domestic life coming through. Gardens throughout time are traditionally places that express societal ideas of control vs wildness and abundance. The work implies nostalgia or contentment. Perhaps longing, or perhaps appreciation for what is available in this liminal space. Editor: Absolutely, a fascinating push and pull, between structured design and wild natural effusion, expressed here with sensitivity through the technical rigor of printmaking. A lot of implied tonal variance, built line by line to generate mood. Curator: We can imagine the symbolic potential of the ‘backyard’ then as it appears throughout history. It is simultaneously an Eden-like space of innocent play and creation and an interstitial zone between wilder nature and domestic life, an arena where cultural narratives meet personal experiences. Editor: The way light is implied in this small composition also feels very sophisticated in terms of building depth and luminosity in areas of contrast. Curator: A very fruitful combination of a fresh view and learned methods. Editor: I concur; it speaks to the potential of careful, dedicated observation to evoke profound meaning through simple things.

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