The Adoration of the Magi c. 16th century

Editor: This is Giulio Romano's drawing, "The Adoration of the Magi." It's a study, made with pen and brown ink. I'm struck by the composition; it feels both classical and dynamic, but incomplete. What can you tell me about it? Curator: Romano, a student of Raphael, was working in a time when the public role of art was paramount. How do you think this study reflects the expectations placed on artists during the Renaissance? It appears to be a preparatory sketch, but consider where this image of the Magi would be displayed, and how it might shape viewers' perceptions. Editor: So it's less about the artist's personal expression and more about fulfilling a civic or religious function? Curator: Exactly. The politics of imagery were central. The power of the church and state relied on these depictions, and an artist like Romano had to be keenly aware of that responsibility. Considering that, what does this sketch suggest about the power dynamics between the holy family and the magi? Editor: That's a perspective I hadn't considered. It really makes you think about the role of art in shaping societal values.