Basket by Paul Cézanne

Basket 1877 - 1900

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drawing, pencil

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drawing

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impressionism

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pencil

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post-impressionism

Dimensions: overall: 15.2 x 23.7 cm (6 x 9 5/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Let's discuss this rather unassuming sketch titled "Basket" by Paul Cézanne, likely created between 1877 and 1900. It's a pencil drawing. What strikes you upon seeing this on the page? Editor: My initial reaction is its quiet simplicity. A delicate basket, almost floating on the aged paper, evokes feelings of homely serenity. There is a sort of "Eden" motif going on, of simplicity. Curator: Observe how Cézanne uses light and shadow. It is quite subtle. Note his handling of volume through a sparse range of hatched lines and minimal contour drawing to generate three-dimensional forms within the image. Editor: Indeed. The basket is the vessel holding those ripe forms we read as fruit. Fruit, especially apples as you see so often represented in art, is quite important. The offering from nature but also sometimes, and more meaningfully in Christian symbology, a representation of original sin. What does this artwork symbolize for our fall from Edenic Grace? Is the work somehow critical of what will corrupt us? Or is that too dramatic? Curator: That certainly introduces an emotional resonance! From a purely compositional perspective, notice the unburdened emptiness surrounding the object that is highlighted due to the dark, enclosing borders. How do we interpret the significance of the forms placed so precisely and carefully on this canvas? Do they draw into focus Cézanne's awareness of tonal values, surface effects, or something beyond? Editor: The tonal restraint contributes so powerfully. It amplifies the humble nature of the still life. It underscores humanity's ties to nature, even after cultural shifts or traumatic religious symbolism. Curator: Considering its context within his oeuvre, do you see thematic echoes to other artworks or is the subject simply that: still life as pure geometric construction and the basket serving only as a starting place for geometric forms? Editor: Perhaps the work's essence rests within that tension. An intimate moment yet steeped in centuries of meaning! Thank you for that thoughtful prompting. Curator: My pleasure. I appreciated your insights into the symbolic nuances.

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