The Guardians of The Galaxy. 2008

Erro conjured up “The Guardians of the Galaxy” with bold lines and a wild mix of colours; like a comic book explosion on canvas. I can almost feel him there, layering these pop culture icons and chaotic confetti with brushstrokes of pure intuition. Imagine Erro’s studio, a whirlwind of images and ideas colliding, each stroke a reaction to the last, building up this visual feast. That single line defining Wonder Girl’s face? It’s like a jolt of energy, carving out her character amidst the madness. You see echoes of Lichtenstein’s graphic punch, but Erro’s throwing a party, not just making a statement. It's as if all these artists—past, present, and future—are just chatting in the same cosmic studio, bouncing ideas off each other, messing around and making something new. And, for me, that’s what painting's all about: embracing the mess, diving into the unknown, and seeing what weird and wonderful things emerge.