print, metal, relief, sculpture, engraving
portrait
metal
sculpture
relief
11_renaissance
sculpture
ceramic
northern-renaissance
engraving
Dimensions diameter 4.4 cm, weight 39.61 gr
Curator: This metal round from 1537 by Peter Flötner captures the likeness of George, Duke of Saxony, offering a glimpse into the Northern Renaissance portraiture. Editor: There’s an immediate sense of solidity and detail. The textures are so minutely rendered – from the Duke’s beard to the intricate design on what looks like a coat-of-arms on the other side. Curator: It speaks to the Renaissance fascination with commemorating power and lineage through portraiture. The coin-like quality of the piece served both as personal memento and a form of propaganda for the Duke and his legacy. Editor: You're right, there's certainly something powerful in how that profile dominates the circular space. The text almost serves as a frame emphasizing the dominance of the face. I am curious about the composition and why he chose profile rather than a three-quarter view. It feels somewhat antiquated even for its time. Curator: The profile view has associations with ancient Roman coins, and signals the Duke's connection to classical virtues and power, which was very much in vogue. Flötner's decision places George firmly within that historical and cultural context. Think also how Germany, and specifically Saxony, were going through a monumental religious transformation. Every symbol matters here. Editor: Ah, yes the profile is like a seal of power! It works, I guess. Though the rendering of his garments could be less stiff; they almost look stamped, reducing dynamism within the composition. Curator: It’s a common trait in Northern Renaissance portraiture and stems from printmaking. You're less interested in individual expressiveness and more about social type and ideal status, communicated through meticulous, symbolic detailing and, well, status-signaling outfits! Editor: All true! Considering those limitations and that the purpose was clear and achieved, I find myself coming back to the surface—its muted luster and precise carving feel uniquely tangible and immediate. Curator: And for me, its political and cultural echoes make this far more than simply an interesting visual study. Editor: I think we’ve both unearthed some valuable aspects, and for a small coin, this artwork clearly carries a lot of significance!
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