Crests of La Côte and Taconay c. 19th century

Editor: This drawing by John Ruskin, titled "Crests of La Côte and Taconay," is quite subtle. The pencil strokes create a delicate, almost ethereal effect. What do you notice about its formal qualities? Curator: The composition hinges on a compelling interplay between line and void. Note how Ruskin employs hatching and cross-hatching to define form, yet simultaneously allows the paper's surface to breathe, creating an illusion of depth. Consider the strategic use of varying line weights. Where do you see the artist applying the darkest lines and what effect does that have? Editor: It seems like the darker lines are used to define the foreground rocks, creating a sense of grounding. Curator: Precisely. This contrast guides the eye and establishes a spatial hierarchy. The overall effect is less about mimetic representation and more about conveying the essence of the landscape through the language of drawing itself. Editor: That makes me appreciate the economy of line even more. Thank you! Curator: My pleasure. Considering the formal elements can reveal a great deal.