Saint Francis de Paul c. 17th century

Curator: This is Jacques Callot’s "Saint Francis de Paul," a small yet intricate engraving, part of the Harvard Art Museums collection. Its delicate lines evoke a sense of serenity. Editor: Serenity? To me, there's a stark contrast between the saint, haloed and contemplative, and the smoky industrial landscape behind him. What’s being sanctified here? Curator: Consider Callot's mastery of line—the hatching defines form and texture, note the layering of space. The composition draws the eye upwards, following the divine light. Editor: I see the light, but also the looming industrialization. Saint Francis, known for his humility, seems almost oblivious to the social changes transforming his world. Is this ignorance bliss, or a critique of religious detachment? Curator: Perhaps it's both. The engraving presents a visual dichotomy, inviting us to contemplate the intersection of faith and modernity. Editor: A potent reminder that even in sacred spaces, social realities persist. The piece provokes necessary questions about faith, progress, and social justice. Curator: A fascinating synthesis of form and context—Callot leaves us much to ponder.