The Fifth Month, a Set of Three (Gogatsu sambukutsui), from the series "Twelve Months by the Twin Brushes of Toyohiro and Toyokuni (Toyohiro Toyokuni ryoga juni ko)" by Utagawa Toyokuni I

The Fifth Month, a Set of Three (Gogatsu sambukutsui), from the series "Twelve Months by the Twin Brushes of Toyohiro and Toyokuni (Toyohiro Toyokuni ryoga juni ko)" c. 1798

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print, woodblock-print

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print

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asian-art

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ukiyo-e

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japanese art

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woodblock-print

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group-portraits

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genre-painting

Copyright: Public Domain

This is "The Fifth Month, a Set of Three" from the series "Twelve Months by the Twin Brushes of Toyohiro and Toyokuni", a woodblock print created by Utagawa Toyokuni I. It depicts elegant women amidst a dense bamboo grove, a setting rich with symbolic resonance. Bamboo, with its resilient strength and graceful flexibility, has long been a symbol of virtue and resilience in East Asian cultures. The bamboo grove becomes a stage where the women enact scenes of leisure and labor. These women, cradling bundles of irises, are participating in the Boys' Day Festival, or Tango no Sekku, originally a celebration for young boys. The iris is a symbol of purification, health, and warding off evil. In the Heian period, aristocrats used iris leaves as talismans. Consider, too, how the bamboo grove's visual rhythm echoes the staccato patterns of classical Chinese landscape painting, evoking timeless themes of nature and harmony. The emotions of the iris flowers, passed through generations, connects us to ancestors and invokes a sense of continuity. The symbol resonates, evolving through time and culture, a testament to the enduring power of the image.

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