The Seine at Suresnes by Alfred Sisley

The Seine at Suresnes 1877

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painting, plein-air, oil-paint

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tree

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sky

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mother nature

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painting

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impressionism

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plein-air

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oil-paint

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landscape

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river

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impressionist landscape

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nature

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cloud

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natural-landscape

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water

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cityscape

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nature

Dimensions 60.3 x 73.5 cm

Curator: Alfred Sisley's "The Seine at Suresnes," painted in 1877, captures a serene bend in the river. Editor: It’s incredibly airy, almost overwhelmingly so. The sky seems to dominate the canvas, with these massive cumulus clouds, and below them, a modest scene along the Seine. Curator: Sisley, of course, was deeply interested in capturing fleeting moments, the immediate sensation of a scene. I see this as him grappling with modern issues such as the loss of the environment through depicting this once-picturesque landscape as threatened. Editor: Exactly. Look at the impasto! Thick layers of paint mimic the weight and texture of the clouds. You can almost feel the humidity. But the bridge in the mid-ground? It looks as if its purpose has been negated in favour of leisure boats passing along the river. Curator: Right. The composition does reflect the burgeoning industry creeping into these landscapes. This painting comes at a crucial point of transformation for the Parisian suburbs. We have to consider the working classes and labour involved in developing these changes along the Seine. How does that manifest, if at all, for Sisley? Editor: Perhaps it’s visible in the brushwork, that is urgent and a bit rougher in places. It feels like the speed of modernity is reflected in the materiality. Curator: Also, the viewpoint of the working classes viewing changes that they can't access. Remember that Impressionism was often seen as art of the bourgeoisie. What does this say of Sisley and his world view? Editor: He acknowledges those transformations. His use of readily available materials reflects those societal changes in its making. Ultimately, "The Seine at Suresnes" makes the invisible elements and impacts of capitalism visible. Curator: I agree. Seeing "The Seine at Suresnes" allows us to reflect on how deeply intertwined landscapes are with history, power and societal identities. Editor: It's more than just pretty clouds. It's a testament to the dynamic, complex relationship between material and environment.

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