Folly c. 18th century

Curator: This is Jean Moyreau’s print titled “Folly,” currently held at the Harvard Art Museums. It’s a delicate plate print, measuring about 50 by 23 centimeters. Editor: It feels like a dream. The monochromatic palette and airy composition give it such an ethereal quality. Curator: Indeed. Moyreau was known for his engravings after Watteau, and this captures that Rococo sensibility. Note the architectural framework, the stylized flora. Editor: The woman at the center holds some sort of scepter with a bird on it…a symbol of fleeting thought perhaps? Or the soul taking flight? It’s tantalizing. Curator: The inscription "La Folie" directly translates to "Folly" or "Madness," which explains the image. "Folly" as a concept was frequently used in the 18th century to point to the transience and irrationality of human nature. Editor: It makes one wonder about the role of art and design during that time. Was it meant to serve as a mirror, reflecting society's follies, or as an escape from them? Curator: Perhaps it was both, providing a space for contemplation and critique within the decorative arts. Editor: A whimsical yet profound statement. I'll carry that duality with me.