Cleopatra’s Banquet c. 1675 - 1680

Gerard de Lairesse painted ‘Cleopatra’s Banquet’ in the Dutch Republic, likely in the late 17th century. Here we see the artist grappling with the politics of imagery, constructing a grand scene of wealth and power. De Lairesse uses classical architecture and dress to evoke a specific time, while the extravagant setting and dramatic gestures of the figures speak to a culture of display. In the 17th century Dutch Republic, art served not only as a reflection of personal status but also as a commentary on political power and the historical narratives that legitimized it. The display of luxury items and the emphasis on classical themes were visual assertions of a specific type of identity and status. By delving into the social and institutional context of the Dutch Republic, we can better understand the narratives these artists sought to construct. Historical documents, estate inventories, and writings on art theory provide us with a deeper insight into the significance of works such as 'Cleopatra's Banquet', and the cultural values they reflect.