Heilige Thomas 1639 - 1670

This is Petrus Clouwet’s ‘Heilige Thomas’, made in the 17th century. Notice the intricate lines and monochromatic palette, which bring a tactile quality to the print. The vertical composition, anchored by Saint Thomas's figure, directs our gaze upwards, fostering a sense of reverence. Clouwet employs the formal elements of line and form to explore the semiotic codes of religious iconography. Saint Thomas, the apostle known for his initial doubt about Christ's resurrection, is depicted with a spear, his traditional attribute, while the halo symbolizes his sainthood. The use of chiaroscuro—the interplay of light and shadow—not only adds depth but also serves to highlight the emotional and spiritual struggle within the saint, embodying themes of faith and doubt. The texture achieved through the engraved lines mimics the appearance of a sculpture, reinforcing the idea of permanence and the enduring nature of faith. This artistic choice serves to challenge the viewer's perception, inviting contemplation on the interplay between belief and tangible evidence, a dialogue that remains relevant.