West Side, Chicago 1938

Editor: This is "West Side, Chicago," a woodcut print made in 1938 by William Jacobs. It depicts a dense urban landscape. It feels both bleak and energetic. What do you see in this piece? Curator: I see a stark visual representation of the pre-war American urban experience. Consider the date, 1938. This was a time of economic depression and social upheaval, particularly affecting the working class and marginalized communities who often populated these dense urban centers. What do you notice about the composition itself? Editor: The buildings are tightly packed, and there are tiny figures climbing what looks like a long outdoor staircase... Almost like they are climbing the buildings. The dark, heavy clouds add a sense of foreboding. Curator: Exactly. Jacobs is likely commenting on the social and economic conditions of the time. The stark black and white contrasts could symbolize the inequalities and divisions within the city, between the wealthy and working class. And who had access to the so-called American Dream? Editor: It is interesting how the upward-moving lines of the staircase create movement through the scene. Like they are pushing past that heavy, ominous feeling. It definitely prompts reflection on who has a way up. Curator: And don't overlook the Regionalist style. These artists were looking to depict uniquely American subjects, not through a European lens. In that regard, do you feel it critiques or celebrates Chicago and its citizens? Editor: Hmm... It is a complicated narrative of striving and confinement. I see both criticism and an acknowledgement of the everyday lives of Chicago residents. Curator: Precisely. Art provides powerful insights into societal structures and lived experiences and this work can continue to fuel important conversations today. Editor: I'll definitely look at other Regionalist works with this in mind! Thanks!