Verkondiging aan de herders c. 1610 - 1633

Cornelis Galle I made this print of the Annunciation to the Shepherds, but we don't know exactly when. It’s an etching, which means that the image was incised into a metal plate, likely copper, with a sharp needle. Consider the labor involved in this process. The artist carefully controlled the pressure and angle of the needle, creating precise lines that define the forms and textures. Look at the angel's wings, the folds of their robes, and the rough wool of the animals. Galle masterfully used line to create a range of tonal values, from the bright light emanating from the heavens to the deep shadows that suggest depth and volume. The level of detail speaks to Galle's skill, but also his engagement with the religious narrative. Prints like these were made in multiples and were relatively affordable, bringing sacred imagery into homes, spreading devotion, and influencing artistic trends beyond the elite. So, next time you see a print, think about the skilled hands, the labor, and the cultural forces that brought it into being.