Untitled by Vasile Kazar

Untitled 

0:00
0:00

drawing, ink

# 

drawing

# 

ink drawing

# 

ink painting

# 

figuration

# 

abstract

# 

ink

# 

sketch

# 

pen-ink sketch

# 

line

Copyright: Vasile Kazar,Fair Use

Curator: This untitled piece is an ink drawing by Vasile Kazar. It's hard to put a date on it, but its abstraction speaks to mid-century explorations. Editor: My first thought? A crowded dream. Figures emerging and dissolving, faces trapped in shadow. The blue smudges almost feel like tears. Curator: Ink drawings often carry an immediacy. Kazar uses the fluidity of ink to create these ghostly shapes, blurring the boundaries between them. Consider, too, the relative affordability of ink and paper compared to canvas and oil, perhaps making art-making more accessible. Editor: Right. The frenetic energy also says something about the urgency of the artist. It's as if these figures couldn't wait to be drawn. I see a lot of conflict. Is this perhaps an allegory? Curator: Maybe not deliberately. Looking at it materially, the paper supports the ink. The support influences what can be applied and how it may dry or be viewed; perhaps affecting interpretations by its fragility. Kazar exploits these properties. What could a more permanent substrate contribute? Editor: It's like memory, fading and reforming, trying to solidify itself onto something solid but only able to etch a ghostly record on vellum, like a lost map. Curator: Maps can also serve to indicate trade routes and imperial ambitions, shaping the narratives we construct from material traces of exploitation. What if vellum or parchment itself became material for resistance rather than recordkeeping? Editor: Exactly. Everything is political in art. These rapid gestures don't simply materialize images but feelings about production or its absence, making you want to slow down in our era where speed trumps meaning. What about you? Anything changed your perception? Curator: Thinking more carefully, yes, the drawing opens a complex debate, in abstraction, where individual agency meets the sweep of systems unseen that we confront with material creation. Editor: The work gives me some solace knowing an artist’s emotions never disappears. I have enjoyed our little moment reflecting.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.