Franz Hegi made this print of the Syracuse Cathedral, or Duomo, in Sicily, using etching. The cathedral is a fascinating architectural palimpsest, a layering of historical styles and religious functions. Originally a Greek temple dedicated to Athena, it was converted into a Christian church in the 7th century. Hegi’s image, made sometime before 1850, captures this layering, as the ancient columns of the temple of Athena are clearly visible, incorporated into the walls of the church. This kind of architectural hybridity speaks to Sicily’s complex history as a crossroads of cultures, from ancient Greece and Rome to the Byzantine Empire, the Arab world, and Norman Europe. Hegi's print serves as a visual document of this history, inviting us to consider the ways in which different cultures and religions have shaped the island's identity. By researching the history of Syracuse, we gain insight into the social, political, and religious forces that have shaped this remarkable building.