Femme au Fauteuil 1923

"Femme au Fauteuil" (1923) by Albert Gleizes is a striking example of Cubism, a movement that emerged in early 20th century Paris. Gleizes, a key figure in the movement, utilizes geometric shapes and fragmented forms to depict a seated woman, whose face is simplified and partially obscured. The bold colors, particularly the contrasting red and blue tones, create a sense of depth and dynamism, emphasizing the cubist approach to form and space. The work showcases Gleizes' mastery of abstracting reality, capturing the essence of a figure rather than representing it realistically.