Moses and Aaron before Pharaoh, with the Rods Turned into Serpents by Luigi Ademollo

Moses and Aaron before Pharaoh, with the Rods Turned into Serpents 

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drawing, paper, ink, pencil, pen

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portrait

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drawing

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toned paper

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narrative-art

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pencil sketch

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classical-realism

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figuration

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paper

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ink

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pencil

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line

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pen

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history-painting

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academic-art

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italian-renaissance

Dimensions: sheet: 8.2 x 10.9 cm (3 1/4 x 4 5/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: This arresting drawing presents us with a pivotal scene from Exodus: "Moses and Aaron before Pharaoh, with the Rods Turned into Serpents." It is believed to be the work of Luigi Ademollo. Look closely at the dynamism Ademollo captures using what appears to be pencil, pen, and ink on toned paper. Editor: Immediately, the feeling is… theatrical. A stage set. The Pharaoh seems so composed, almost bored, while around him, chaos unfolds. Those transformed rods writhing into serpents – a pretty persuasive display, you’d think! Curator: Yes, it is theatrical in the best sense of Italian Renaissance art; this is a narrative rendered with dramatic intensity. Observe the placement of Pharaoh on an elevated platform, literally looking down on the divine emissaries, despite the miraculous transformation taking place. A clear visual symbol of earthly power challenged by spiritual force. Editor: It's a very clever composition. Pharaoh's indifference acts as the fulcrum. Moses seems to gesture, attempting to persuade, while Aaron looks on – perhaps this depiction seeks to render a moment where authority is confronted not just with spectacle but with its own disbelief? I sense Ademollo is using the biblical episode to reflect on human skepticism towards transformative experiences. Curator: I believe you're onto something. Ademollo would be very attuned to the psychological weight carried within the original biblical narrative. Consider that snakes are a recurring motif that symbolizes threat, deception, or the overcoming of obstacles, thus reflecting themes of faith, power, and the tension between divine and earthly authority. The Pharaoh’s magicians have, after all, performed a similar act; therefore, it will take much more than serpents to get his attention. Editor: Precisely. It becomes about which illusion—or which power—will truly win. I'm quite taken by how Ademollo captured this specific, crucial instant of challenge, doubt, and the start of a showdown with such subtlety through what is essentially a sketch. There’s so much energy captured in this scene; it's an intimate doorway into a legendary moment. Curator: Indeed, it’s an encapsulation of faith encountering doubt and earthly power being challenged by divine influence through simple materials. Editor: A tiny image for such epic implications. It sort of tickles the mind!

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