Adam erblickt die neu erschaffene Eva 

This pen and ink drawing by Jules Lunteschütz depicts the biblical moment when Adam first beholds Eve. The raw energy of Lunteschütz's draftsmanship adds a sense of immediacy to this scene, suggesting both Adam's awe and the artist's own creative process. Lunteschütz was working in 19th-century Germany, a society grappling with rapid industrialization, rising nationalism, and the legacy of Romanticism. In academic circles, religious art became a site for both conservative and progressive ideas. While some artists used biblical scenes to reinforce traditional values, others explored the psychological and emotional dimensions of faith. The Städel Museum itself, founded in 1815, was part of a broader movement to create public institutions dedicated to art and education. By studying Lunteschütz's drawing in the context of his time, we can better understand the complex interplay between art, religion, and society. It's a reminder that artistic meaning is always shaped by the world around it.