Two-handled bowl 1648 - 1658

Editor: We're looking at a two-handled bowl, dating from around 1648 to 1658, currently held at the Met. It’s silver, and quite ornate in detail. I find it unexpectedly grounding, perhaps because of its function despite the Baroque styling. What strikes you most about it? Curator: The curling acanthus leaves immediately bring to mind themes of rebirth and resilience; their presence suggests more than mere decoration. Considering this was crafted amidst the tail end of the Thirty Years' War, do you see how such imagery would resonate deeply? A visual echo of hope amidst turmoil. Editor: Absolutely. The bowl almost becomes a symbol of enduring beauty amidst conflict. Do the handles have symbolic weight as well? Curator: The handles, small and almost understated, act as counterpoints. They offer connection, literally 'handling' the complexities of existence, much like individual actions during that period. Are they perhaps also miniature anchors securing the vessel to tangible reality? Editor: That’s a very interesting way of framing them! The contrast between the detailed flora and the simple handles does feel meaningful. I didn’t consider the connection to the Thirty Years' War. Curator: And isn't that what art history is all about? Connecting the object to the soul of its time. Editor: I'll certainly keep that in mind going forward. Thank you!