Aan boord van een boot bij een bruiloft of feest by Geldolph Adriaan Kessler

Aan boord van een boot bij een bruiloft of feest c. 1903 - 1908

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Dimensions height 80 mm, width 110 mm, height 363 mm, width 268 mm

Editor: Here we have Geldolph Adriaan Kessler’s photograph, “Aan boord van een boot bij een bruiloft of feest,” which translates to “Aboard a Boat at a Wedding or Party,” taken around 1903-1908. It’s a gelatin silver print that strikes me as a very staged yet intimate group portrait. What can you tell me about it? Curator: It’s interesting to consider the societal function of this type of photograph. Beyond a personal memento, it’s a constructed image intended to portray a specific social standing. What do you notice about the subjects' attire and the setting? Editor: The clothes suggest wealth. Also, the presence of the boat suggests leisure, like they’re enjoying a social event exclusive to their circle. Curator: Exactly. Photography at this time was becoming more accessible, yet these carefully composed scenes reinforced class distinctions. Kessler, positioned within this societal context, used photography, typically considered democratic, as a tool to document and arguably, to celebrate the elite. How does that impact your interpretation? Editor: It makes me wonder about the photographer's own background. Was Kessler critiquing or complicit in perpetuating those social structures? Did this photograph reinforce the idea of marriage as a means of social mobility for the individuals in this photo? Curator: Those are critical questions to consider. And who would be looking at these images? The performance of the figures—the almost theatrical poses, the emphasis on respectable clothing — is staged for their contemporaries, a selective presentation of reality circulated within and consumed by their social group. Editor: It is almost like this photograph is part of a larger conversation, a tool to document social trends in that time. Curator: Precisely. And our conversation gives rise to new perspectives in light of today's discourse, wouldn't you agree? Editor: Yes, absolutely! It is helpful to reflect on its origins within a specific historical moment, which enhances how it is perceived in museums and public settings today.

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