Bottle cooler from the Louis XV service (seau à bouteille) by Vincennes Manufactory

Bottle cooler from the Louis XV service (seau à bouteille) 1748 - 1758

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ceramic, porcelain, sculpture

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decorative element

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ceramic

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jewelry design

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bird

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flower

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porcelain

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sculpture

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ceramic

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rococo

Dimensions Overall (confirmed): 7 11/16 x 10 3/8 x 8 in. (19.5 x 26.4 x 20.3 cm)

Curator: Just look at this beauty. It's a bottle cooler from the Louis XV service, crafted between 1748 and 1758 by the Vincennes Manufactory. The porcelain is just exquisite. Editor: It's striking! The robin's egg blue is so vibrant, and the gilding—it’s practically screaming luxury. Though I must admit, my first thought is: talk about excessive ornamentation for something that holds a bottle. Curator: Indeed, its opulence reflects the tastes of the French court during the Rococo period. These weren't just functional objects; they were symbols of status, part of an elaborate social performance. Editor: Right, it makes you think about the intense inequality. Who got to enjoy chilled wine from a piece like this, and who were the ones laboring to produce the porcelain and serve it? I mean, it's beautiful, but loaded. Curator: Absolutely. And the placement within the Met, divorced from its original context, can further sanitize this history. Think about the politics of imagery, even here. These scenes are consciously designed to please and impress the upper class. The naturalism of the floral design shows new styles promoted at court. Editor: Precisely! It’s a curated experience. And these objects can perpetuate those power dynamics. We should always interrogate these narratives of perfection and luxury. Where are the stories of the people who made this lifestyle possible? Curator: Good point. Understanding the market for luxury goods at this time sheds light on artistic production and patronage systems. Court tastes drove artists in Paris to produce items catering directly to upper classes. Editor: For me, viewing art isn't about passively accepting aesthetic value but examining these histories and challenging them, prompting discussion of class, gender, and power that are literally built into our history. Curator: Well, considering both the artistry and historical significance certainly gives us a much fuller understanding of the cooler than its initial use suggests. Editor: Agreed, these discussions allow us to connect history and make sense of the ongoing effect objects such as these have had.

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