Portret van een onbekende vrouw 1900 - 1914

This photograph of an unknown woman was taken by Otto Mertens in Paris, but when, exactly? I like how the limited palette—almost monochromatic—draws attention to the textures. It’s not just about seeing; it’s about feeling the image. You can almost trace the delicate embroidery of her dress with your fingers. Look at the way the light catches the pearl button at her throat – it’s a tiny universe of reflection, anchoring the whole composition. Photography, like painting, is a dance with light and shadow. There’s a softness to the edges, a blurring that reminds me of some of Julia Margaret Cameron's portraits. Both artists use the ambiguity of the medium to invite speculation, hinting at inner depths rather than presenting a clear, objective likeness. The mystery invites you to dream.