Clearing Breeze from a Fan (Ogi no seiran), from the series "Eight Views of the Parlor (Zashiki hakkei)" c. 1766

This print, "Clearing Breeze from a Fan" was made by Suzuki Harunobu in the mid-18th century. It's a woodblock print, made using a technique called *nishiki-e*, or "brocade pictures." In this process, a design is carved into multiple woodblocks, one for each color. Paper is then carefully pressed against each block, layering the colors to create the final image. The soft, muted tones and delicate lines are characteristic of Harunobu's style, which he achieved by using multiple blocks and subtle gradations of ink. This method elevated printmaking from a primarily informational medium to a form of art that could capture the nuances of color and texture. The labor involved in the creation of these prints - from the carving of the blocks to the careful printing process - reflects a significant investment of time and skill, showcasing the craftsmanship involved in every impression. Looking at this print, it's important to consider the processes, the labor, and the craft traditions that went into its creation. It enriches our understanding of its cultural and aesthetic significance.