The Carondelet Diptych: Jean Carondelet (left panel), Virgin and Child (right panel) 1517

Editor: This is the "Carondelet Diptych," painted in 1517 by Mabuse. It's an oil painting, split into two panels, showing Jean Carondelet on one side and the Virgin and Child on the other. The overall impression is one of quiet contemplation, almost severe in its realism. What do you see in this piece? Curator: It's a fascinating example of how the Renaissance was grappling with the sacred and the individual. The diptych form itself—two panels hinged together—was traditionally used for religious imagery. Mabuse cleverly subverts this tradition. Look at Carondelet’s hands; they’re clasped in prayer, yes, but he’s also wearing a ring. Doesn't it feel like he's carefully positioning himself within a sacred narrative, asserting his piety while also subtly highlighting his status and worldliness? Editor: Yes, I see what you mean. It's not just about devotion; it's about presenting a very specific image of himself. What about the Virgin and Child panel? Is there any kind of iconographic symbolism present in the other panel? Curator: Absolutely. Notice the inscription that surrounds the Virgin and Child, "+ MEDIATRIX NOSTRA QVELES POST SEVM + SPES SOLA+TVO, FILIO, +ME+ REPRESENTA" suggesting that the Virgin Mary is a mediator of prayer, bringing one closer to God. Editor: That is amazing, you explained some clear religious symbolism to me. Is there more that you can extract? Curator: Absolutely, consider the details of dress: both in panel's figure are draped and framed by elaborate gold text, connotating sophistication. Even in this artwork, it makes use of conventions of high status or divinity. The inscription functions as a memory or promise. I think it says to us that Carondelet believed that wealth can serve God's plan on earth. Editor: I never noticed the text on the sides, that actually does enhance their sense of divinity or wealthiness! I see so much more now, thanks. Curator: Indeed, thinking of imagery this way brings out new possibilities to art-viewing.