Dimensions: support: 1372 x 2305 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Hubert von Herkomer's "Found," located here at the Tate, presents us with a dramatic mountain landscape. Editor: It's quite somber, wouldn't you say? The subdued palette and the vastness of the terrain create a feeling of isolation and struggle. Curator: Indeed. Notice how Herkomer uses light and shadow to define the figures and the rugged terrain. The diagonal composition adds a sense of dynamism. But look closer at the figures! Editor: I’m drawn to the subjects themselves. Their rough clothing and weary postures speak to the realities of labor and the precariousness of life in rural settings. Given the era, I wonder about the undercurrents of poverty and perhaps even exploitation. Curator: That’s an insightful observation! Herkomer's focus on the formal elements, particularly the interplay of light and shadow, elevates the subject beyond a mere depiction of hardship. Editor: Perhaps, but the narrative the artwork evokes resonates with broader social narratives concerning class, labor, and the search for stability. Curator: A fascinating piece that invites us to consider both its aesthetic construction and its socio-historical implications. Editor: Absolutely, a conversation that bridges the formal and the lived experience.
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http://www.tate.org.uk/art/artworks/von-herkomer-found-n01575
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To ensure the total accuracy of his landscapes Von Herkomer painted them wholly on site from the comfort of a moveable studio hut. 'Found' took him about ten weeks to finish, and shows a spot between Portmadoc and Beddgelert in North Wales. He and his family camped out there for the whole period. Into this landscape Von Herkomer introduced an imaginary historical incident. A wounded Roman soldier is found by a Welsh woman who hesitates between compassion and distrust for an occupier of her country. The ravens are another fanciful addition; Von Herkomer admitted that he placed stuffed birds on the rocks so that he could paint them. Gallery label, August 2004