Medaillon met putti 1772 - 1779

This etching by Jean Pelletier features a door design with putti rendered with ink on paper. Observe the putti flanking the central medallion: these cherubic figures, derived from classical antiquity, embody innocence and divine love, symbols that persist throughout Renaissance and Baroque art. Note the wreath encircling the medallion, a motif echoing ancient Roman triumphal arches, symbolizing victory and honor. The lion's head below the medallion also resonates with power, courage, and nobility. The use of putti in this context is fascinating when we consider their earlier manifestations as pagan deities; later, in Christian art, they symbolized heavenly love and salvation. This transformation demonstrates the symbol’s enduring power to adapt and resonate across different eras. The emotional resonance of these symbols lies in their ability to tap into our collective memory, evoking feelings of hope, love, and aspiration. Pelletier's design reflects a non-linear progression of symbols, and they evolve, adapt, and continue to engage our subconscious minds.