T.-H. Frere Joseph by Raoul Larche

T.-H. Frere Joseph 1898

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metal, relief, sculpture

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portrait

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medal

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art-nouveau

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metal

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sculpture

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relief

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sculpture

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men

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decorative-art

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profile

Dimensions Diameter: 124 mm

Curator: We’re looking at "T.-H. Frere Joseph," a bronze relief sculpture created in 1898 by Raoul Larche, currently residing here at The Metropolitan Museum of Art. Editor: My immediate impression is one of quiet dignity. There’s something classically simple, yet somehow weighty, about that bronze—it has a muted solemnity. Curator: The profile view, deeply embedded in historical coin and medal traditions, evokes concepts of leadership and remembrance. These profile portraits are often created to solidify a place in history, imbuing the subject with qualities of timelessness. It’s interesting to observe how Larche leverages that cultural memory. Editor: It’s striking to me how the metal itself contributes to that. Bronze has this permanence; it’s almost declaring this man’s enduring importance. I’m curious about the casting process, the labour involved in producing these multiples of metal—because clearly the edition of this work means the impact of this man had some sort of wider social significance. Curator: Indeed, that bronze is doing a lot of work, literally and figuratively. Consider the slight turn of the head. There is not an arrogant posture or powerful presentation, just this feeling of looking into a further time—into his future recognition, perhaps? I wonder about his inner life. Editor: I wonder if the industrial means of reproducing it cheapens its meaning? After all, is he a ‘leader’ because the industrial world makes him such? Or what does it take to translate his legacy into physical object for those times? Bronze especially signals something more elite but is accessible for the lower ranks as well because its reproducibility gives the access to the figure represented for an enduring, mass remembrance. Curator: An excellent point about the democratization of legacy through reproducible metalwork! Ultimately, the sculpture sparks dialogue. Editor: I completely agree, and it demonstrates how the combination of material and symbolic form creates more than just an image, but the making of social values.

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