From the Actors and Actresses series (N45, Type 5) for Virginia Brights Cigarettes by Allen & Ginter

From the Actors and Actresses series (N45, Type 5) for Virginia Brights Cigarettes 1885 - 1891

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drawing, print, photography

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portrait

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drawing

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print

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photography

Dimensions Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)

Curator: Here we have an intriguing piece: one of the "Actors and Actresses" series, specifically N45, Type 5, produced by Allen & Ginter for Virginia Brights Cigarettes. It's believed to date between 1885 and 1891. Editor: Okay, even knowing it was meant as a cigarette insert, there’s something haunting about her gaze. It’s sepia-toned… fragile. Sort of whispers secrets. Curator: These cards, trading cards really, gained immense popularity. Photography, drawings, printmaking were all employed, allowing images to become widespread. The series hints at the fascination with celebrity culture that was just emerging at the time. Editor: It’s such an odd mix. There's this raw, almost documentary quality to the photo itself – a glimpse of a real woman - and then this overt commercial application that’s plastered all over it in simple font. It pulls the humanity out. Curator: Perhaps it elevated it in another sphere. Consider the semiotics: The cigarette brand leverages her celebrity, real or aspirational, for legitimacy. It merges consumer desires with larger-than-life figures. Editor: Maybe, but there's also something deeply unsettling about using someone's image to hawk cancer sticks. The ornate lace trimming her garments in stark contrast to the unhealthy implications the object it’s selling. Curator: The lace, you're right, functions on two levels: luxury and artifice. It represents a constructed femininity and social standing that both the actress and cigarette purchaser might be striving towards. Editor: It almost reads as a commentary today about beauty, branding and consumption - far beyond selling cigarettes! It looks less of a Victorian advertisement and more of a stark warning label now. Curator: These glimpses into the past show just how potent visual associations are and that persist even after cultural norms have shifted. What started as a simple advertisement has a long legacy. Editor: It’s more of a palimpsest, perhaps? A snapshot of a specific moment and society now laden with unintended meanings… I guess objects have a way of doing that.

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