Slagen bij Quatre-Bras en Waterloo, ter ere van de hertog van Wellington en Blucher by Anonymous

Slagen bij Quatre-Bras en Waterloo, ter ere van de hertog van Wellington en Blucher 1815

metal, relief, sculpture, engraving

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portrait

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neoclacissism

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metal

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sculpture

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relief

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sculpture

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history-painting

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engraving

Editor: This is a metal relief from 1815 titled "Battles of Quatre-Bras and Waterloo, in honor of the Duke of Wellington and Blucher". It's quite small, coin-sized, and features both portrait and battle imagery. It seems designed to commemorate victory, but what else do you see in it? Curator: The symbolic weight here is palpable, isn’t it? Metal itself carries connotations of strength, resilience – think of armory, weaponry. The circular form echoes coins, suggesting value, remembrance, perhaps even propaganda. Consider the dual portraits: do they present a unified front? Editor: Yes, I think so! Their gaze aligns, suggesting collaboration. Curator: Exactly! It underscores the alliance, yet consider their individual iconography. How are they each presented? Does one seem more…dominant? The artist carefully controls our perception, building on cultural understandings of leadership, power. It prompts us to reflect: how do we immortalize heroes and significant events? What narratives do these visual choices reinforce or conceal about this specific victory and these individuals? Editor: That's fascinating. I hadn't considered the individual presentation so closely. I was more focused on the overall sense of triumph, which I now see could be a simplified message. Thank you for your insight! Curator: It’s in delving into the specifics, examining those symbolic choices, that art truly reveals its rich layers of meaning.

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