Paris By Night 

Editor: This is “Paris By Night” by Konstantin Korovin. It’s a watercolor piece, and the mood is quite evocative, capturing the wet streets reflecting the city lights. What's your take on it? Curator: Looking at the piece from a materialist perspective, I find myself drawn to the use of watercolor. The quick, fluid application allowed Korovin to capture the fleeting effects of light and atmosphere. Consider how the accessibility of watercolor impacted the Impressionists – how did readily available and relatively inexpensive materials democratize art making, moving away from exclusive patronage? Editor: That’s interesting; I never thought about the socio-economic implications of the medium itself. So, you’re saying that cheaper, accessible materials potentially broadened who could be an artist and what subjects they could explore? Curator: Precisely! And also, how are traditionally gendered hierarchies subverted or supported through this medium? Was this an intentional or accidental reflection on contemporary society? What statements, if any, are being made through this conscious or subconscious approach? Editor: Wow, I hadn’t considered that! I guess I was so focused on the image itself that I didn't think about how the materials influenced the art. Thanks, that really opens up a new way of considering art for me. Curator: Indeed. Looking at art through a material lens not only informs you about technique but can open up broader understanding on labor, consumerism, gender hierarchies, and value.