Cartouche met twee bovenlichamen van gevleugelde vrouwen 1613 - 1657

Pierre Firens created this cartouche with two winged women in the early 17th century. Cartouches like these were used to frame inscriptions, coats of arms, or other decorative elements. This print embodies the artistic tastes prevalent in Europe, particularly France, at that time. It emphasizes symmetry and classical motifs, reflecting the influence of Renaissance ideals and the burgeoning Baroque style. The winged figures draw on ancient mythology, a popular source of inspiration for artists seeking to elevate their work and connect with a rich cultural past. The inclusion of garlands is consistent with the symbolic language of the period, where fruit was often associated with prosperity. To fully understand this image, we have to consider the institutional role of prints. They were easily reproducible and disseminated. Studying collections of prints, like the one this work belongs to, helps us to understand the patterns of taste and how ideas circulated in early modern Europe.