Landscape of the four seasons in the styles of old masters 1635
painting, watercolor, ink, pencil, woodcut
rough brush stroke
painting
asian-art
landscape
form
22_ming-dynasty-1368-1644
watercolor
ink
mountain
pencil
woodcut
painting painterly
watercolour bleed
watercolour illustration
genre-painting
realism
calligraphy
Dimensions Overall with mounting: 12 5/8 in. × 38 ft. 10 in. (32.1 × 1183.6 cm)
Wei Zhike painted this landscape scroll in the style of old masters, capturing the essence of the four seasons through ink on paper. Notice how trees are prominent symbols here. They are not merely botanical specimens, but rather stand as potent metaphors deeply embedded within the tapestry of Chinese culture. The evergreen pine, for example, is not only a symbol of longevity, steadfastness, and endurance, but also of integrity. We can trace similar representations of trees as symbols across time and cultures, from ancient Greek mythology, where they represent the connection between heaven and earth, to the medieval Tree of Life, symbolizing spiritual growth and renewal. The emotional resonance of these arboreal motifs lies in their profound connection to the natural world. They remind us of our own mortality, our place within the grand scheme of existence, and the cyclical nature of life. Thus, these symbols re-emerge, laden with accumulated meanings and emotions, continuing their silent dialogue across the ages.
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