Songs: "That Love's a Tyrant I can prove..." by Henry Thomas Alken

Songs: "That Love's a Tyrant I can prove..." 1822

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drawing, print, etching, pencil

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drawing

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narrative-art

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print

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etching

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caricature

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romanticism

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pencil

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genre-painting

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history-painting

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academic-art

Dimensions: Image: 7 7/8 × 10 1/8 in. (20 × 25.7 cm) Sheet: 10 15/16 × 14 3/4 in. (27.8 × 37.5 cm)

Copyright: Public Domain

Curator: Today, we're looking at Henry Thomas Alken's 1822 etching, "Songs: 'That Love's a Tyrant I can prove...'," currently residing at the Metropolitan Museum of Art. Editor: My immediate reaction? A whimsical, somewhat chaotic snapshot of love’s many absurd angles, kind of like flipping through a playlist of tragicomic love songs. Curator: Precisely. Alken utilizes line and composition to present distinct vignettes. Notice the dynamic tension in each scene—the possessive wife brandishing a slipper, the dejected lover, and even the resigned horse. Editor: Oh, that horse is a mood. So much emotional range just in these simple lines. The caricature is brilliantly executed. Look at the first scene – is that a romantic triangle teetering on the edge of complete meltdown, rendered in a domestic farce? Curator: Indeed, it embodies the Romantic era’s fascination with emotional intensity but filtered through social commentary. The clustered figures and exaggerated expressions amplify the melodramatic theme. Semiotically, the slipper wielded as a weapon… Editor: ...becomes this brilliant, darkly humorous emblem of thwarted desire, right? It suggests both violence and ridiculousness—the painful punchline of an everyday war of wills. Plus, each miniature scene almost mocks conventional notions of romance. Curator: It's also worth observing Alken's use of line—ranging from delicate to bold—that creates a layered depth despite the monochrome palette. Editor: The rough lines perfectly capture the raw, ungainly feeling of heartache, and a kind of charming ugliness, and almost seem to celebrate love’s messiness. A fitting visual counterpart to the era's dramatic operettas, wouldn’t you say? Curator: Absolutely. Alken manages to evoke a broader narrative on the human condition through a series of condensed, intensely rendered moments. Editor: For me, it's a beautiful little reminder that, even when love feels like a tyrant, it can also be spectacularly funny—the visual equivalent of a perfectly sardonic pop song. I think I felt my own emotional arc watching this!

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