Design for wall decoration in a gallery of the Chateau de Lude, Sarthe 1850 - 1900

Editor: So, here we have Jules-Edmond-Charles Lachaise's "Design for wall decoration in a gallery of the Chateau de Lude, Sarthe," likely created between 1850 and 1900, using watercolor. It has such a formal, stately feel. I'm curious, what do you see when you look at this piece? Curator: This design is fascinating as a reflection of 19th-century revivalism. The fleur-de-lis wallpaper and wood panelling are deliberately evoking a past, specifically a romanticized view of French royalty and aristocracy. How does that strike you, given that this was well after the Revolution? Editor: Well, it feels a little... conflicted? Like, there’s this yearning for the grandeur of the past, but also maybe a denial of the social upheavals that led to its downfall. Is that fair to say? Curator: Absolutely. Consider the Chateau de Lude itself. Designs like these weren’t just about aesthetics. They were actively constructing a particular narrative about heritage, about power, about who gets to belong to that history. The placement of the family crest amidst that field of fleurs reinforces a distinct social hierarchy. Who is being included versus excluded? Editor: So, the visual language of the design reinforces social stratification and history. It becomes not just decoration but almost a statement. Curator: Precisely. It encourages us to think about who has the privilege to define “good taste” and how that reflects and reinforces broader societal power structures. Even the medium – watercolour on paper - plays a part, allowing for a controlled depiction of status and wealth. Editor: It makes you rethink what is actually 'romantic' about romanticism, and who gets to claim it! I guess it shows how even interior design can reflect bigger social and political dynamics. Thanks! Curator: Indeed! It reminds us that every aesthetic choice, from the grandest palace to the humblest dwelling, is embedded with layers of meaning, reflecting both individual taste and larger societal narratives.