Landschap met figuur op brug by Pieter Bartholomeusz. Barbiers

Landschap met figuur op brug 1815 - 1837

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drawing, ink, pen

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drawing

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pen illustration

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pen sketch

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landscape

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ink

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romanticism

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sketchbook drawing

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pen

Dimensions height 35 mm, width 65 mm

Editor: This is Pieter Bartholomeusz. Barbiers's "Landschap met figuur op brug," created sometime between 1815 and 1837. It's an ink and pen drawing. The bridge and lone figure give the piece a wonderfully tranquil feel, like a little escape. What social context can you bring to this idyllic scene? Curator: The Romantic period, in which this work was created, privileged feeling, intuition, and imagination, reacting against the industrial revolution and the Enlightenment's focus on reason. How might Barbiers’ small drawing reflect that yearning for simpler times, considering it was a period marked by the rise of a new, powerful middle class and significant shifts in land ownership and use? Editor: Well, I can see it reflecting that, for sure! The lone figure crossing the bridge evokes a personal, perhaps even solitary experience of nature, offering a counterpoint to the crowded, industrialized cities that were growing at the time. Curator: Exactly. And where do you imagine a work like this would have been seen? Was it meant for public display or something else? Editor: Considering its size, I am leaning more towards personal enjoyment - maybe pasted into a scrapbook, rather than shown on a gallery wall. Curator: Right. Drawings like this often circulated among a close network of fellow artists and patrons. That reminds me; could we interpret the bridge as a symbolic gesture representing the transitions happening in the society of the time? Editor: I never would have considered it but yes, perhaps. Connecting the past with the future, or the rural with the urban? I like that idea! Curator: It is likely one of many. We should also recognize that while this idyllic image is inviting, it's also curated. Barbiers makes artistic choices, framing nature and presenting a perspective aligned with specific cultural ideals, making us consider the social power of imagery even in what appears to be simple sketch. Editor: Absolutely, a fabricated tranquility! I now appreciate the art's nuances beyond the mere depiction of a landscape!

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