Tanuki in a Lotus Leaf by Matsuda Sukenaga

Tanuki in a Lotus Leaf 18th century

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carving, sculpture, wood

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carving

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animal

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asian-art

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figuration

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sculpting

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sculpture

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wood

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miniature

Dimensions: H. 1 3/4 in. (4.4 cm)

Copyright: Public Domain

Curator: We are looking at "Tanuki in a Lotus Leaf," a wood carving by Matsuda Sukenaga, dating back to the 18th century. It currently resides at the Metropolitan Museum of Art. Editor: Oh, it’s wonderfully whimsical. I immediately notice the way the carver uses the wood grain to emphasize the rotund shape of the Tanuki. It gives him this plump, jovial presence. Curator: It's interesting how the chosen material, wood, lends itself so well to representing the animal’s fur and the texture of the lotus leaf. You can see the skill required to carve this intricate object—a netsuke. Editor: Right, the lotus leaf itself! A potent symbol of purity and enlightenment in Buddhist iconography. The tanuki, nestled within, seems to gain an almost meditative quality, despite their mischievous reputation. It hints at a deeper symbolism, playing on ideas of transformation and spiritual growth through humor. Curator: These small carvings often served a very practical function as toggles on traditional Japanese garments. However, that this is also fine art brings up an important question about function vs aesthetic labor and what that designation entails within an economic system. Editor: The more I study it, the more meanings I see layering upon each other. Is that slightly forlorn look an invitation for a playful prank, or does the little fellow merely ponder some truth under the great shade of the lotus? It's the tanuki's expression that sells the cultural weight of this netsuke. Curator: Indeed. Matsuda Sukenaga created this piece at a time when artistry was intricately tied to functional craftsmanship, creating beauty from mundane resources and elevating everyday materials. Editor: Overall, it’s an object that delights the eye and tickles the imagination. This carving shows us so much cultural history. Curator: And reminds us that art's value comes as much from the social history of labor as from our individual aesthetic reaction.

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