Gotische monstrans 1465 - 1485

Curator: This is a drawing from the late 15th century by an artist known only as Meester W met de Sleutel, meaning Master W with the Key. It's rendered in ink on paper and is entitled, "Gotische monstrans" or Gothic Monstrance. Editor: Oh, my! Look at that incredible precision. It gives me a feeling of soaring, a lightness that belies its intricate geometry. It's all verticality and lace, isn't it? Curator: Precisely. And this drawing wasn't necessarily intended as a standalone artwork but probably as a design blueprint. Monstrances were important liturgical objects displayed prominently in churches, holding the consecrated Eucharistic host. Editor: It looks as though the Host would be held where all those ornate spires converge – imagine the light catching that gold. Why do you think the design never got fully materialized? Or perhaps it did but has been lost? Curator: The survival rate for these drawings wasn't particularly high, though indeed there is a possibility this became a realized artwork elsewhere. Also, the level of detail is staggering. It speaks to the artisan's pride, really a form of devotional practice in itself. There is the dedication to these objects we forget so quickly today when consuming visual media. Editor: I am especially drawn to the lower circular element – look how even that has layered textures within the texture – very elaborate. Considering its place in religious life, the function was probably quite grand too. Curator: The drawing really encapsulates a moment in art and religious history when craftsmanship elevated utility to artistry. The church, then, played such a critical role in enabling artistic talent, often, such as in this case, anonymously. Editor: Well, anonymous or not, this "Master W with the Key" has unlocked a beautiful moment for us. Makes you think about all the beauty we owe to unseen hands, doesn’t it?