Hairbrush c. 1930

This Hairbrush, made by Emmy Roth, presents a fascinating interplay of form and function. The cool, smooth surfaces of the metal contrast with the vibrant red bristles tucked beneath, creating a visual tension that really grabs my attention. The repetitive circular forms, from the brush bases to the mirrored lids, speak to an understanding of design as a process of refinement, each element carefully considered in relation to the whole. I'm really drawn to the way the light catches the metal surfaces, creating a sense of depth and dimensionality. The stark contrast between the rigid metal and soft bristles gives the object a tactile quality, making you want to run your fingers over its surface. There's something almost Bauhausian about the simplicity and functionality of the design, yet Roth's personal touch elevates it beyond mere utility. It reminds me of the work of Anni Albers, who also blurred the boundaries between art, craft, and design. Ultimately, this Hairbrush invites us to reconsider the beauty and artistry inherent in everyday objects.