Kastkom op voet, met een roze fond met witte vlakken en een waaier, waarop vogels by Petrus Regout

Kastkom op voet, met een roze fond met witte vlakken en een waaier, waarop vogels 1892

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ceramic, earthenware

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dutch-golden-age

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ceramic

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earthenware

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decorative-art

Dimensions: height 10.2 cm, diameter 16.0 cm, diameter 10.3 cm

Copyright: Rijks Museum: Open Domain

Curator: This charming object is a pedestal bowl, created around 1892 by Petrus Regout. The Rijksmuseum is its current home. It is crafted from earthenware with a lovely pink background. Editor: Oh, it’s like a vintage dream! That pastel pink is everything. The whole piece feels incredibly delicate, almost like it could shatter if you breathe too hard. Curator: It's a beautiful example of decorative art, really showcasing late 19th-century aesthetic preferences. Look closely at the hand-painted details: the white panels with those bird motifs… It evokes a specific longing for idealized nature. The swan also adds another dimension, perhaps. Editor: Absolutely. And the way the birds are positioned, almost fluttering on that little white fan—there’s a lightness, an aspiration for something more, right? Are they caged, free, or somewhere in between? The swan seems like it's just taking a quiet look... very poetic and open to possibilities, I'd say. The color adds a soft power and doesn't dictate any meaning; that is interesting. Curator: It’s interesting that you note that freedom. This era witnessed significant social and political shifts. Thinking about the decorative arts, this kind of idealized imagery could have served as a counterpoint to industrialization, a form of escapism. Editor: Yes, a safe and curated dream. You know, maybe it's the simple combination of color, form, and those gentle images... I wonder about the hands that crafted this. The precision, the care. How can a bowl trigger questions of identity, gender, and maybe some untold stories? Did it play any role for a marginalized group? Or maybe it was solely owned by wealthy white landlords? Curator: Exactly. Bringing those perspectives to our understanding opens up richer avenues of analysis. And by examining art from intersectional viewpoints, we can challenge and reconsider historical narratives. Editor: This piece now feels alive. Not just an object of beauty, but a quiet rebel. It’s whispering of hidden meanings and offering up questions rather than easy answers. Curator: Precisely. I see it in a new way now as well. Thank you! Editor: Thank YOU. It's just a pretty, pink bird bowl, right? Maybe it's secretly the key to understanding... us.

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