Ideal Landscape with Sleeping Shepherd and Sheep 1790 - 1805
drawing, print, etching
drawing
etching
landscape
figuration
romanticism
history-painting
Dimensions sheet: 19 3/4 x 24 9/16 in. (50.2 x 62.4 cm) plate: 15 3/16 x 19 3/16 in. (38.6 x 48.7 cm)
Curator: I see in this print an invitation to dream, a slippage into the half-conscious world of reverie. Editor: Precisely! "Ideal Landscape with Sleeping Shepherd and Sheep," dating from around 1790 to 1805 and created by Heinrich Theodor Wehle, pulls us into just that. It’s an etching, currently residing at The Met. And there it is: repose under a vast canopy. Curator: Vast is the word. Those trees are giants! Look how they arch, like watchful protectors over the shepherd and his flock. There's an ancient, almost mythological feeling to this scene. And sheep! Fluffy, innocent… symbols of a bygone pastoral era. Do you feel how heavy those symbols lie? Editor: Oh, yes. The shepherd, asleep, becomes a figure of innocence and vulnerability in a world increasingly shaped by industry. The sheep themselves are ancient symbols of sacrifice and gentleness. Consider how they huddle close to him: such concentrated symbolic energy in this unassuming scene. The trees almost serve as nature’s own cathedral, don't they? Framing this idyllic tableau. Curator: Nature as sanctuary… That sleep feels almost perilous, yet utterly safe, cradled in that woodsy embrace. Do you think that little brook mirrors a sort of flow of time—while they are suspended in eternity? Editor: It adds to that delicious ambiguity! It speaks volumes about humanity's enduring relationship with nature—always shifting, ever constant. Romanticism idealized nature and the past, seeing both as antidotes to industrialization. That sleeping shepherd carries all those hopes, perhaps impossibly so. Curator: Absolutely, impossibly... It reminds me of half-remembered childhood stories. That deep peace that you get sometimes when you are surrounded by old, old things… Editor: Ultimately, perhaps that's what Wehle hoped to evoke: this longing, and that sense of our connectedness. I feel a little envious of his sleeping scene and this return to simple things now... Curator: Me too! I’m also glad that those symbolic connections remain palpable for us still.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.