drawing, lithograph, print, paper, engraving, architecture
drawing
lithograph
landscape
paper
line
history-painting
engraving
architecture
realism
Dimensions height 398 mm, width 567 mm
Louis Jules Arnout created this print of the Reliquary of Edward the Confessor in Westminster Abbey in the 19th century. Arnout’s somber lithograph captures the architectural grandeur of the Abbey while also evoking the intense personal and political drama that has played out in this space. Consider the significance of Westminster Abbey as a site of royal coronations, weddings, and burials, functioning as a symbolic representation of English identity and power. Edward the Confessor, canonized as a saint in the 12th century, was known for his piety and is often depicted as a symbol of justice and good governance. What does it mean to create a reliquary for a king who embodied both spiritual and temporal authority? What power dynamics are in play? Arnout's print invites us to think about how historical narratives and cultural memories are constructed and preserved through both architecture and art.
Comments
I often go to Westminster Abbey: to walk around , to meditate , to pray, to remember when my boys were at school here . Always a highlight of any day I spend here
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