Ya tienen asiento. 1796 - 1797

Editor: So, this print is called "Ya tienen asiento," which I believe translates to "They have seats." It's by Francisco de Goya, made between 1796 and 1797, and it’s an etching. The subject matter seems… well, quite strange, and maybe a little satirical. How do you interpret this work? Art Historian: From a materialist perspective, it’s crucial to look beyond the immediate imagery. Goya, using etching – a readily reproducible medium – created this work amidst significant social upheaval. The 'seats' – clearly humble, handmade chairs - almost mockingly elevate these figures. The labor involved in crafting these everyday objects contrasts sharply with the implied social status these women seem to crave. Consider also, the availability and affordability of prints like these: who was consuming this image, and what societal commentary was Goya embedding within it? Editor: That’s interesting. So you're suggesting it's less about the specific scene, and more about the wider context of production and consumption? The means of making becomes part of the meaning? Art Historian: Precisely. Look at the stark contrast of the lines, achieved through the etching process. It wasn’t painting; it was a print, intended for broader distribution. What does that tell us about Goya's intent in depicting this scene in this way, during this period? Think about the socio-economic tensions – the rise of industrial printing against the backdrop of handmade craft traditions. Editor: I guess it highlights how even art could be seen as a commodity and makes me consider what statement Goya wanted to put out to a broader audience? Thanks, I am now thinking more about prints from this perspective. Art Historian: Exactly! The intersection of material production and social commentary. Considering these social components enrich how we understand Goya's motivations.