New York by Rosalind Solomon

New York 1987

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Dimensions image: 80.01 × 80.01 cm (31 1/2 × 31 1/2 in.) sheet: 108.59 × 101.6 cm (42 3/4 × 40 in.)

Curator: Here we have Rosalind Solomon’s photograph, "New York," created in 1987. What strikes you first about it? Editor: Well, it's a rather stark image, isn’t it? The high contrast and cool monochrome palette emphasize the stillness. The subject seems almost trapped within the frame, or perhaps the scene itself is trapped. Curator: Indeed. Solomon's work often engages with societal taboos and overlooked individuals. This particular image speaks volumes about the AIDS crisis and how people were treated during that period. She documents individuals with a stark intimacy that many found discomforting. Editor: The composition is key to that feeling of being trapped. The subject is confined by the bed linens and the arm around a stuffed toy, and also the plastic medical tube. Curator: Solomon's unflinching gaze serves as a social commentary. The title, "New York", doesn't explicitly announce it, but subtly hints at the epicenter of a crisis and the individuals it ravaged. Editor: Absolutely. The details – the hospital bed, the IV drip – ground the image in a very specific reality. It transforms a single individual’s struggle into a representation of wider social circumstances. It forces you to confront the vulnerability within humanity. The subject matter creates tension and pulls your eye through the different components of the artwork. Curator: The photograph was taken during the height of the AIDS epidemic, when fear and ignorance fueled widespread discrimination. Solomon’s dedication to documenting this sensitive subject matter offered visibility, but, in doing so, it directly confronted those attitudes. Editor: I'd add that it isn’t simply the "what" but the "how." The composition amplifies the message—those visual decisions become part of the dialogue, influencing how we perceive and interpret it. The photo captures both his strength and profound fragility through monochrome and tonal relationships. Curator: A perfect encapsulation, wouldn’t you agree? Editor: Yes, a perfect blend of subject, style, and message creates a potent social document.

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