S. Maria del Carmine in Pavia 15 - 1827

Friedrich Maximilian Hessemer made this pencil drawing of S. Maria del Carmine in Pavia. The artist chose graphite, a relatively common and easily accessible material, which allowed for a high degree of detail in the lines and shading, capturing the intricate architectural features of the church. The drawing's visual qualities stem from the controlled application of graphite, creating a delicate balance between light and shadow. Hessemer carefully built up layers of graphite to define the form, texture, and depth of the architecture. The precision and control over the material is evident in the refined lines and the subtle gradations of tone. The drawing looks like it was produced on site. The choice of pencil as a medium connects this work to a broader tradition of architectural drawing, where precision and accuracy are valued. This contrasts with the looser, more expressive qualities often associated with painting or sketching. By understanding the materials and processes involved in its creation, we can appreciate the skill and artistry of this seemingly simple drawing, challenging any distinction between high art and craft.