John Marin, New York 1947

Irving Penn took this photograph of John Marin in New York using a camera and black and white film, preserving a moment. Penn has used the greyscale to its full potential, exploring a range of shades for dramatic effect. Marin is leaning against a sofa and he is almost swallowed up by his dark overcoat. His stern gaze and posture convey a sense of defiance, resilience, and the gravity of artistic vision. The texture of the print is interesting – it looks like there may be some graininess, adding a certain roughness and depth to the image. The way Penn plays with light and shadow is brilliant. Look at the subtle gradations around Marin's face, highlighting his features and hinting at the complexities of his inner world. This piece reminds me of August Sander’s portraits, particularly in the way it captures the essence of an individual within the context of their time and profession. Like a painting, this photograph invites multiple readings and interpretations.