Dimensions: 46 x 35 cm
Copyright: Public domain
Jean Fouquet painted this miniature illumination of The Life of Louis II, ‘The Stammerer,’ sometime between 1455 and 1460. Here, the imposing fortress is not merely a structure of stone and defense; it is a symbol, deeply rooted in the collective consciousness of power, security, and perhaps even isolation. Consider the swan, gliding serenely on the water. Since ancient times, the swan has been a symbol of purity, grace, and nobility. But it is also associated with myths of transformation and hidden identities, like the tale of Leda and the Swan, a powerful image from antiquity. The presence of the swan here is a testament to the enduring power of symbols, constantly shifting in meaning yet perpetually engaging our subconscious. The swan's reflection in the water can be seen as a symbol of introspection, mirroring the complexities of human existence. The image of the swan has resurfaced throughout history, each time imbued with new layers of meaning. It’s a testament to the cyclical progression of symbols, evolving with each retelling.
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