Tankard 1821 - 1871

Editor: Here we have Roswell Gleason’s Tankard, estimated to be made sometime between 1821 and 1871. It's currently held at the Metropolitan Museum of Art, made of ceramic, earthenware and metal. Its smooth, reflective surface is compelling. How do you interpret its visual components? Curator: Notice how the craftsman meticulously constructed the object through distinct cylindrical forms and carefully placed concentric circles on its lid. The handle is attached with functional intent; the stark visual tension arises from its divergence from pure geometric lines. Does that geometry draw your attention? Editor: Yes, definitely! The simple form is beautifully executed. Does the lack of ornamentation contribute to the function of the object, the usability of it? Curator: Precisely. The beauty resides in the pure structure of its geometric shapes. Every line, plane, and curve fulfills its intended purpose. How does this simplicity contrast with other, more ornate objects of the era, in your opinion? Editor: The reduction to pure form seems quite modern compared to what I'd expect from that time, I suppose! It strips away everything non-essential. Thank you for pointing out the geometrical aspects; I hadn't noticed them to that extent before. Curator: And I am glad for the chance to see it fresh through your eyes!