Bloemen: Tab 1A by Noach van der (II) Meer

Bloemen: Tab 1A 1751 - 1822

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drawing, print, paper, ink, engraving

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drawing

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neoclassicism

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print

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pen sketch

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old engraving style

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paper

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ink

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pen-ink sketch

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pen work

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sketchbook drawing

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academic-art

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engraving

Dimensions height 214 mm, width 171 mm

Editor: Here we have "Bloemen: Tab 1A" by Noach van der (II) Meer, created sometime between 1751 and 1822. It's a detailed engraving, rendered in ink on paper. What strikes me is the almost scientific precision of the floral depictions. They're beautiful, yet feel like they belong in a botany textbook. What do you see in it? Curator: It’s a fascinating blend of art and science, isn't it? What I see here is more than just botanical illustration; I see an artist wrestling with the Enlightenment’s passion for categorization. Each tiny, carefully rendered line feels like an attempt to grasp the underlying order of nature. Imagine the artist meticulously observing each petal, each stem, attempting to distill the very essence of 'flower-ness' onto the page. The rigid structure and labeling almost satirize the human urge to tame and understand the wild, chaotic beauty of nature. Don’t you think? Editor: Absolutely, the labeling really drives that point home. So, beyond the scientific element, does the medium, the engraving itself, play a role in conveying this "taming" of nature, as you call it? Curator: Ah, the engraving! The very act of etching onto a metal plate, then transferring it to paper, mirrors this desire for control. It's a deliberate, almost surgical process. It allows for such precision, but simultaneously distances us from the organic, fluid nature of, say, a watercolor painting of the same subject. Does this make sense to you? Editor: That makes total sense. It’s like nature is being dissected, but with reverence. I didn't notice at first, but seeing them displayed in almost clinical detail offers a really intriguing perspective on nature. Curator: Exactly! I think this engraving invites us to consider our relationship with nature and the human tendency to both admire and categorize it. It leaves me contemplating about finding that harmony and balance, it does for you too? Editor: I couldn't agree more. I came in seeing botanical art, but now I see a real conversation about humanity's relationship with the natural world!

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